夜总会题材最容易踩的坑，是把女性当作欲望的符号，或者当作男性世界的奖品与背景。显然，这种书写方式无法回应现实，尽管它几乎是过去的惯用模式。《夜王》在这一点上做了关键调整：女性角色被放回“行业结构”中，而不是被放在“男性目光”里。影片中的女性不再只是被观看者，而是规则的理解者、执行者与承受者。
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To find these crucial border points, we employed a clever technique based on the Ford-Fulkerson algorithm. By simulating "flooding" roads with traffic from random start/end points, we could identify the natural bottlenecks – the "minimum cut" in graph theory terms. These bottlenecks became our border points.